Chale Wote - festival for the hungry?

For weeks my inbox has been bombarded with event invites, information, flyers and promotional blurbs about an upcoming Street Art festival in Accra. In Jamestown, the poorest, most densely populated ghetto in Accra. Not only was it strange to be getting email correspondence about a festival in Jamestown, but foreign embassies were involved and were even asking for volunteers for the day.

One of the website blurbs states:

The festival is free and open to the public with more than 2,000 patrons expected to attend. CHALE WOTE Street Art Festival is a collaborative effort produced with the help of the Ga Mashie Development Agency, the Foundation for Contemporary Artists, JustGhana, Attukwei Art Foundation, Pidgin Music, DUST Magazine, ACT for Change, The WEB, and Ehalakasa Poetry Slum.

My carefully constructed cynicism told me that the event was a disaster in the making or at best, a non-starter, but I agreed to ‘check it out’ with T, for old times’ sake – to celebrate the curiousity that has helped us to know Ghana so well through the years.

This Saturday was the big day. T and I piled into a rickety taxi, left the relative serenity of Osu, and asked to go to the prison (the main Jamestown fort being both the ‘hub’ of the daily activities, AND the oldest prison in Ghana). He obliged. As he honked and dodged along the bumpy roads, we sat, bright and scrubbed and carefully devoid of jewellery or purses, looking out at the increasing squalor, the tightly choked lanes, the throngs of passers-by, jostling between taxis, tro tros, head loads and knee high festering piles of rubbish. We were in the heart of Jamestown.

He dropped us at a random corner, which seemed just as good as any, and we nodded at the cluster of old men gathered on makeshift benches on the other side of the green swamp gutter. We entered a dirt square, bordered by concrete walls, that housed an unorganised mess of people under canopies, selling fufu and a sad array of ‘local crafts’, along with a brass band in matching yellow t-shirts. There were easily 200 children below the age of 10, stomping around the band, in a rainbow of school uniform colours, following the pied piper of Jamestown, a lanky guy, with red rimmed hipster glasses, a hand painted t-shirt and a wacky expression.

Then the pied piper saw us, motioned to his crew and within seconds they attacked. Hundreds of knee high sets of brown hands and faces, all over our arms and legs, shouting, chanting, laughing, pushing. “Obruni!!!!!!!”

“Oh no!” This was NOT on my agenda. I have no clue why he sent them to us, but just as fast as they’d arrived, he motioned for their retreat and they were off, marching in another direction, leaving us self conscious and confused; the imprint of tiny bare toes on our ankles and feet; in a thick cloud of dust.

We tried to find something interesting to keep us there, but alas, after T taught the seller of the ‘ancient African beads’, that most were in fact, less than 6 months old and from China and India, we wandered out of the square.

We stood forlorn on the street corner, a spectacle of white curiousity, while T consulted her list of activities, printed off from the numerous flyers. There were hopeful events listed there, such as spoken word readings, experimental theater, fashion circus, Brazilian fight dancing, bike and rollerskate stunting party, live music etc. Looking around at the complete lack of signs, vibe and such, and instead at the din of a usual Saturday afternoon in Jamestown, kids bathing naked at the roadside, mothers sweating, pouring the dirty water from the buckets of their lives into the open fetid gutters… I remained skeptical.

Just then, T spotted the sign for a project that the North American Women’s group has been donating funds. It was painted roughly by hand, “Jaynii Streetwise” at the edge of the lighthouse (a colonial legacy at the coast and edge of Jamestown’s grasp). We stood for a minute at the top of the huge stone steps that led downward and out of view. Before us was the beach, a sand the colour of toast, and beyond that the vast ocean, whose waves sounded so peaceful and so at odds with the mayhem of the neighborhood behind us. To our right, knotted masses of fishermen’s nets hung on the broken and decaying walls of what was once a colonial building. Now, the half enclosed crumbled walls were occupied by family upon family. The children ducked and dived between their mothers as the women bent over the weekend laundry buckets. We were essentially within a few feet of the private lives of others, as if looking into an ant colony in primary school science class. No one noticed us though, and we descended the stairs.

We were on the beach. A few concrete rooms at various stages of completion were dotted along to the left. Some were painted, most half built. Nothing at all was happening here. One got the impression that the idea of anything one day occurring here had been abandoned. (I had read online that there was a bar here with the same name two years ago, complete with thatched umbrella shaded tables, but nothing of this is left today).

As we rounded the front of the first building we saw some movement. The door opened and a beautiful woman in a white sleeping dress emerged - turns out she is Jay of Jaynii. Behind her, the dark room produced small faces, one by one peering out at the visitors. I noticed a colouring book and fresh bright crayons on the floor by the door and knew the donations had definitely reached here.

Jay seemed not the least bit surprised by our impromptu visit, and while she explained to T what was ‘going on’ with the project, I peered in further. There were new looking caramel coloured leather sofas, two of them, piled with bags and boxes and ladies and children. They just seemed so odd. So out of place in this little salty, stuffy room at the edge of Jamestown, on the beach.

Jay introduced us to her new baby, sleeping peacefully in a small bassinet. Then she took us on a tour. But there was nothing much to see.

“Here is the hostel for the street children” she explained. It was a shell of a building. Nothing in it. No windows. It will be completed by next week. Hmmmmm.

“50 children will stay here. We need to get them out of what they are living in – urgently.” I wondered what she meant by this. Up above us on the the main street, the children lived in small rooms with no windows. They scrambled for food, they barely made it from day to day. What would be different here in this ghostly set of rooms?

“Here are the washrooms and toilets, donated by NAWA. But we haven’t yet finished the toilets.”

“Where is the library?” T asked.

“It is there.” We did not see it.

“Are there books for the library?”

“Yes there are some books.”

We didn’t see those either.

Jay invited us to her upcoming wedding celebrations as well - and though we were flattered, I had to wonder - weddings in Ghana, as elsewhere are expensive affairs. Jay lived in this one tiny room with at least 12 other people - how would she afford such an event. I hoped she was marrying rich...

Back at the top of the steep steps we bumped into an American couple, kitted out with money belts, sunglasses, festival programs in hand. They looked about as silly as us, and they hadn’t found anything more going on than we had.

Eventually we came across a couple more ‘events’ on random side streets – which consisted of western highschool students (who had obviously volunteered), looking flustered and harassed, policing groups of wild local kids, in painting dead car tires, t-shirts and walls. It was chaotic and not very entertaining, but at least the kids seemed to be having fun or some semblance of it.

We found another group of kids and a few artists in a decaying courtyard as well. Some were painting the walls, and three young Jamestown boys with roller skates on were jumping rows of their brave friends on the floor. A smattering of expats wandered between them all, trying to find enough to stick around for. We couldn’t find enough and ended up at Osekan, a beach front bar just out of Jamestown’s reach.

With our feet up, we sipped cokes. I wondered where the French Ambassador was. Did the funders visit their event? Did the do-gooders hope and expect to create a fully organised festival in the midst of a slum where food and water are luxuries?

What is art when you are hungry? What place do we have in pushing concepts onto people. What if they would have appreciated a bag of rice instead of paint on the streets? Tomorrow’s bath water, tipped into the road, will wash it away, and nothing will be left but a sour memory of another failed project in Ghana.

>>>>>>>>>>>>>>>>>>>

I have removed all photos that I had added to this post, which were not taken at the event, nor did they accurately represent the event. Instead, I tried to borrow some great photos from Ghana blogger Nana Kofi Acquah - who managed to get some great shots. Unfortunately Blogger will not let me upload photos as there seems to be a bug of some sort with this over the past two weeks :( I strongly recommend visiting Nana's site.

Eleven years ago today my life changed forever.

Eleven years ago on this day I was huge. My ankles resembled over stuffed sausages, my cheeks hid my eyes.

I sat on a wooden bench in the Trust Hospital of Accra, sandwiched between many others in my bloated condition. The front door of the lobby was ajar, the power was out and air-conditioning was a far off dream. I wore chaley-wote (flip flops) and a multicoloured boubou, a tent dress that held me and my little one in, barely containing us as the sweat trickled down my back, my arms, my rotund tummy.

The sounds of the busy street permeated the hot waiting room, honking of cars, shouts of street hawkers and clouds of gritty dust made their way in amongst us.

After the lobby-wide morning prayer where we were all asked to stand (health status permitting), each of us was sent from reception to another cash kiosk where your appointment must be paid for in cash before joining the queue. Once paid, with our receipts in hand, the hours passed while we waited, some in silence, some clicking their teeth in exasperation, some chatting quietly, brought together by their shared predicament. So many women, so few doctors.

I was a volunteer and the only non-Ghanaian, non-African, non black lady in the building, apart from a Russian nurse that I’d heard about and had only seen once in my numerous pre-natal check-ups. I was not anonymous. But I was used to it.



Nine months before that, I had come home from a typical day at work. For me it meant moving around within the bustling craft market, sitting and chatting with the wood carvers, the painters, the trinket pushers about their needs and opportunities.

I took a tro tro into Osu, and walked up from the main road to the compound I shared with my husband’s family and various tenants. 54 of us in all.

The ladies sat out front of the compound gate, by the small shop that had been set up by a tenant, selling cokes and sweets and tiny plastic wrapped portions of peanuts and sugar and laundry soap powder.

They watched me approach and called to me. When I reached the group they were debating and jostling and laughing and it seemed I had provided the subject of their conversation.

“Kobi mami, (the name given to me affectionately in Ghana, as the mother of Kobi)

“Your face is looking tired”

“Yes look at her eyes!”

“And the walk. It is true.”

Me, clueless: “Good afternoon. What is it?”

In unison after a few giggles, “You are pregnant!”

They were all convinced also, in that African way, that it was a boy.

It seemed absurd. The consensus out of nowhere, the thought, the idea. Despite not having felt very well over the past few weeks, I shrugged it off. Later in the evening, we sat in our ‘chamber-and-hall’, the two rooms we had in the compound, connected by a doorway with a curtain, the overhead fan incessantly whirring above us. I turned to my husband:

Me: “Can you imagine, Aunty Maude and Josephine were outside with the other ladies when I came home today. They all said I was pregnant!”

Husband: “Well I’m not surprised. You are. I can sense it. It is good news, no?”

Me, with my cultural baggage fully in hand, wondering a.) how the hell does everyone know but me, and b.) how can this be my husband’s reaction, if it is indeed true?!
I headed to the pharmacy the next morning for a test. They explained that if you bought the test, they would do the test right there, and off they sent me to the grimy little bathroom in the back hallway. They took my urine to another room and came back with the positive symbol on the little stick. And there it was. They told me in a matter of fact way.

“Please the test is positive.”

“You mean I’m really pregnant?!”

“Yes please. Do you need a receipt for the purchase?”

So I walked back out into the baking heat of the street, dodging between the open gutters underfoot and the hive of life around me. I felt in a bubble. I could hear nothing. The world was just me and my news. The truth that it took a test to convince me, but that my African in-laws had known by intuition.

I was at once amazed, frightened, ecstatic and numb. My baby boy was on his way.



In the hospital on January 8th, 1999 I was very aware that my due date had passed and that there were dangers involved. My little kicking baby was in the breach position, and after giving my ribs a bashing for the past couple months, had not turned inside me.



My choice to stay in Ghana through the pregnancy haunted me on that hospital bench on that hot dusty day. What if I’ve compromised my baby’s chances? But he was a Ghanaian baby. His father wanted us to be here. His aunty, my angel Aunty Maude was a nurse and she wanted us there. She had always made me feel secure, calm. The hospital was a two minute walk from the compound, at the foot of our road, right on the main strip. It was a highly recommended hospital. But today there was a power outage. There were not enough doctors. The patients, like cattle, filled the hot pen. What was I doing?! Taking this whole African thing too far. I wanted to call my mom, so many worlds away. I had chosen a life that held no familiarity, no reference point for everyone I’d known back home.

So this was me, and I had shuffled up the benches over the hours, closer and closer to the door of the doctor’s office, until it was my turn.

I went in and was greeted with the doctor’s broad smile. He seemed tireless.

“Madam Holli”

“The boy is stubborn! I thought we’d have seen you in the delivery ward by now!”

He helped me up onto the rusty examination table and felt around with his warm hands.

“Ok, madam. He has not moved. The time is late. We will have to do Ceserean birth. You choose – tomorrow or the next day? I will make the booking.”

Oh my God. I had never envisaged a full operation in Ghana! The hospitals, the risks! The absurdity of choosing your child’s birthday?!

“Please, can my husband and aunty come in to the surgery? Will I be awake?”

“Sorry, no and no. This is a serious surgery and visitors cannot be permitted. They can visit you afterwards, during visiting hours.”

I knew right then this was not going to be like any of the C-section births I’d heard of in Canada. What happened to bringing your own music in, hubby with you, holding your hand, family in the waiting room to burst in a few minutes after the birth?!

My pulse pounded in my temples. There was no time, no other option in sight. I couldn’t run home to Canada. I’d have to trust this doctor and face this within the framework I found myself in. Baby nudged me back out of my paranoid frenzy, from within.

Me: “Tomorrow please. What time should I arrive?”

Doc: “You have to stay now, I will have them book you into the ward”.

I’d need to bring my own bed sheets, toilet paper, drinks, food, soap and towels, on top of all the normal things like newborn diapers and a carry home outfit for the baby….

My head was spinning. I told him my house was very close and I needed to go get my things.

So I walked back out into the baking heat of the street, dodging between the open gutters underfoot and the hive of life around me. I felt in a bubble. I could hear nothing. The world was just me and my news.

I was at once amazed, frightened, ecstatic and numb. My baby boy was on his way.



To be continued...

'Tis the season - Ghana supermarket style

When I moved to Ghana all those years ago, I had to leave behind all my Western consumerist obsessions – Diet Coke, Kraft Dinner, chocolate bars - even boxed breakfast cereals for my little boy were things of another world. Firstly, they weren’t available. Second, even if they were, on our volunteer ‘stipend’ we wouldn’t have been able to afford them.

But there were always days when, buried in the blur of culture shock, we all longed for a ‘taste of home’. There was a small Lebanese grocery store called Kwatsons that we'd visit, at the top of the Osu main strip, just admiring all the expensive imported foods. And once in a blue moon I’d buy a little block of cheese, or some real butter (as opposed to the cheap and readily available, non-refrigerated mystery bread fat), a jar of jam and a fresh baguette bread.

Kwatsons became Koala over the years, though I assume it’s the same family who owns it. They’ve grown and expanded and today you can pretty much buy anything you might want. And these days I don’t have to look longingly, I just get on with the grocery shopping.

Accra has a big mall now, up the other end of town, through throngs of traffic… but I still prefer the family run Koala. They really try. Last December, in the blazing heat, they set up a fake snow machine outside the door, so when you were at the check outs looking out, it appeared as a blistery winter’s day in Canada. (Now THAT’s trying). They acknowledge each holiday – from Easter to Eid and of course Christmas.

It could be said that they are just capitalizing on the season. That there’s no authenticity, no heart. That maybe the staff who string these things up have no clue of the cultural significance…

I was in Koala on the weekend, and noticed they’d put up a Christmas tree this year!

I just had to take a photo and share. Here it is (and no, I did not stand on my head to take the picture):

The Obruni Scooter Girl

The first time G (the Ghanaian ex), walked through our rickety compound house door with the red and white little mini-scooter I was at once excited and terrified.

At the time, being a struggling volunteer, my main source of transport in Ghana had been by tro tro. The world of tro tros is one only understood through experience. They wait in their lorry parks in a chaotic form of organization, each with their final destination , and wait to fill up before moving. This can be anywhere from minutes to hours. In 34 degree Celsius heat, as the rows get jammed fuller and fuller with all sorts of travelers and their wares, children, livestock… Needless to say, I was ecstatic to be presented with an independent form of transportation that would eliminate all the waiting and the cramped conditions, but it would mean taking on the roads of Accra directly, on the tiniest form of motorized transportation known to humankind.

The little scooter immediately became one of the family, and despite the fact that we already had five people with numerous additional compound children at any given time living in a 10 x 10ft room, the scooter slept inside with us. It fit right between the TV and the coffee table, and on the hot nights, we all lay in various configurations around it's little tires, on our straw floor mats.

At first G was the brave driver and all of us took turns on the back, feeling the exhilarating whizz of the air as the compound and the gawking, shuffling excited children were left behind in the swirling dust. It was fun! The first time we headed out into the main roads was another level of terrifying. We negotiated potholes that were bigger than the scooter, then there were goats and kids, that represented unpredictable moving targets on the sides of the roads where we carved our little path. We splashed through puddles of unidentified opaque liquids, and made it back home safely to the cheers of our little audience.

Then they all pressured me to take a spin alone. In all honesty, driving one of those things is beyond easy, and immediately I was hooked.

It wasn’t surprising then that a few years later I met many people from Tamale to new foreigners, who said I was ‘known’ as the Obruni scooter girl. That was after I had graduated to the larger, upscale model. My blue Suzuki with a custom made black ‘boot/trunk’ welded on the back. To think that I had become the thing of myths - a mysterious pale face woman, a strange foreigner, whizzing through the streets of Accra, my hair flowing in the wind...as deified as the one obruni girl who acted a few episodes of the Sunday musical drama on GTV (she had been a Peace Corps volunteer who had learned to speak Twi fluently)... but I digress.

It didn’t surprise me either though, that despite my limited notoriety on the scooter, it never became an expat trend, in fact in the 12 years I’ve lived in Ghana, I’ve never seen another white girl driving a scooter. In recent years I’ve seen two African women (who I doubt were Ghanaian, since driving scooters in Ghana is not regarded highly, but is quite common in all the surrounding Francophone countries). There are also the mad Ghanaian and Lebanese motorcyclists who use the Tema motorway to pull wheelies on their mammoth beast, with the front tire high in the air. These are of course men –as the motorcycle seems to be an ego extension, exhibiting macho prowess – the louder the better.

For me, the scooter represented ultimate freedom and adventure – it took me to so many places I never would have known or ventured. It was a catalyst to me breaking through my own fears, cultural and gender barriers, and it was always a topic of great interest to Ghanaians and foreigners alike.

I’m sure most thought I was nuts, and indeed I may have been, but I’ll never regret it.



I even took my boys on the scooter, two at a time once we had the bigger one – and this has provided countless stories that we remember with sheepish grins. It was careless, it was dangerous, it was improper – I’m sure had I done this in Canada I’d have been arrested for child neglect or abuse or some variation. But we loved it and I will forever cherish our little adventures on the scooter – just the three of us. I remember one day when I had Q on the front and we were singing at the top of our lungs, cruising down the Ring Road, en route to visit a friend, each of us with our helmets on (I think his was actually a bicycle helmet), and boom! Out of the blue were dive bombed by a bird that had just fallen from the sky. It ricocheted off my son’s helmet and into mine and bounced off, leaving us stunned and bewildered and then consumed with laughter. The things that happened on that scooter!

Even when I was unceremoniously mugged by some thugs in a passing car, the scooter cracking in two and ending up in a gutter with my passenger (a visiting Canadian friend) and I ending up scraping along the gravel….I did not give up the scooter.

When I was faced head on one day in an incredible split second game of chicken with a crazed tro tro driver, I had to succumb, jump off and watch as my scooter hit it’s side and slide off, engine running, into the roadside sellers, while I dropped and rolled off to safety in the other direction.

I still wasn’t deterred.

There came a time though when the scooter was just abandoned. In fact, it had been sent to our trusty mechanic and we just never went to pick it up. It represented the end of an era – there was a break up of the family, of the frivolousness we had all shared, and with it went our beloved scooter.

I just found these photos and had to share the days of old - from the Obruni scooter girl.

A day in the life ... married into a Ga compound in Accra

I haven't always been an expat princess, living in a big airconditioned house with swimming pool and servants. I knew a very different Ghana once. I came to Ghana as a volunteer and I got married here. And I moved into the family compound. For 5 years. Below an excerpt from the old life:

I’ve been up all night. There’s a power outage that’s persisted since the evening before, when the hum of music, laughter and buzz of the naked lightbulbs everywhere were simultaneously silenced, our busy little world falling into darkness. And heat. “Ohhhhhh!” the unanimous disappointed shout comes up from the neighborhood like so many fans at a football match. “Light off, oh!” Candles and paraffin lamps take over and the night takes on a hush. Bedtime comes early.

3am I’m woken from a broken and sweaty slumber, my light cotton nightgown plastered to me – a nocturnal street preacher has chosen our street to tout his doomsday warnings. In Twi. At the top of his voice. At 3am… Am I the only one who finds this an absolute outrage?! I lie silently, noticing the peaceful breathing of my little boys, and Abina our ‘housegirl’, the three of them oblivious to the shouts and to my frustration. The only other beings awake are the eternally confused crowing cocks. They add their annoying squawks to the night preacher’s noise. I suppress the urge to run out there and demand quiet as a personal right. Am I the only one who finds this untolerable!? The answer is yes.



I live in a Ghanaian compound in Osu, the centre of Accra. 56 of us live in the compound. I am the only one who is not Ghanaian. I’ve come with my personal baggage. Apparently I am the only one who hasn’t trained my brain to sleep peacefully through the sounds of the night.

It’s 6am and around me the compound has slowly come to life. The first sounds are the incessant scraping of the brooms. All the girls are given the daily chore of waking before dawn and sweeping the entire compound with hand made reed brooms. This instills discipline and an appreciation for cleanliness I’m told. By now Aunty Josephine is awake as well, singing her church hymms in an unashamedly off key pitch as she starts preparing for a day of selling minerals on the roadside. The sound is strangely comforting. She’ll soon be joined by Aunty Akwele, Sister (‘Sta) Narde and Kofi Mommy. In Ghana all women are given the title of either Aunty or Sister depending on their age or status. When a woman gives birth to her first boy, she is henceforth given the title of ‘his mother’. In the compound I will forever be Kobina Mommy.

By 7am the entire compound is busy like a hive. I lie on my straw mat, grateful for the coolness of the concrete floor underneath, and soak up the pulse of life around me. The children have gathered in the corridor just outside my window, queuing to shower in small groups, each with his or her small bucket of soap, toothbrush, paste and a ‘sponge’ made of brightly coloured plastic mesh. The first time I went to the communal shower without the obligatory sponge, the children found it so funny they laughed at me until some of them fell to the ground in an exhausted little pile of brown bony limbs. I stood mortified and clueless. This has characterized many of my experiences in the compound. There are rules of conduct that one must know, by instinct. Obrunis like me – we just don’t get it.

The children are the best teachers. And at once the most brutal. I love them for this. They taught me on that fateful day that the only way to get clean is to scrub with a sponge. Now I know.



This morning they are debating whether Ronaldo or Ronaldinho is the better football player. It is quite a heated debate and everyone has something to say. Even the littlest ones pipe in, just managing to say the names of the players aloud. My boys are out there in the queue, waiting for the morning shower, under the early morning sun.

I’m up and fumbling around to make a coffee in our kitchen which is essentially a 2 x 2 ft corner of our sitting room, or ‘hall’ as it’s called in Ghana. Through the curtain is the ‘chamber’ where the five of us sleep in various configurations nightly. In all the rooms around me there are families of four to eight in similar or smaller rooms, managing to live out the domestic reality of compound life.
Through the window I peer at the courtyard where all converge. It’s Saturday and all the women are washing. Sitting on low stools they bend forward, hands immersed deep in soapy suds in huge basins. Beside each a mountain of the week’s dirty clothes. The chocolate brown and manila government issue school uniforms prominent in each pile.

Aunty Maude has set her two girls the task of washing today, as she prepares for baking. Aunty Maude is a nurse at the government hospital, but supplements her income by baking bread and pies. She sells these to others in the compound and neighborhood at large throughout the day, as we all smell the warmth of yeast and sugar in the ovens and are loured in… she also provides cakes for weddings, funerals, birthdays and any other occasion. Aunty Maude also makes the best banku and fish in Ghana. She knows I like it and makes it for me as a treat often. Aunty Maude has been has been my mentor, my guide, my sister, my friend and my mother figure in the complex world of adjusting to compound life. She is a testament to human kindness and selflessness. When I gave birth to my son in the nearby hospital, she sensed by nervousness and stood by me through everything. She helped me bathe my little boy and sat awake many nights with me when he was ill. She has a knack of taking control of situations with a sense of calm akin to Zen.

I will forever admire her. Once when I had severe malaria, I told Aunty Maude in a hallucinatory haze that I would surely die. I’d never felt as sick in my life. She just changed my sheets, gave me my medicine and smiled that peaceful grin. I knew then I’d make it.

Some Saturdays after pay day Aunty Maude goes to the market and comes back with a feast of ingredients. Then she sets up in the open pit kitchen on her small stool and sets to work cooking soup in a massive cauldron for everyone. The children scramble to help her with her bags when she arrives back from market. They are as excited as western children on Christmas morning, their eyes aglow. They push and shove and manage to get the bags to the kitchen. They help unpack, and at once find what they’ve been looking for. The game today will be snail races. The large slimy snails are set out on a chalk drawn line on the concrete floor. The children then cheer on their snail toward the finish line. Most snails do not even head in the right direction, but that’s hardly the point. They laugh and joke and poke fun – they even name the creatures. However Ghanaian children do not have frivolous sentiment for the animals they play with. When tonight’s soup is ready, they are fully aware that their snail did not escape the pot. It is the same for the rabbits and the goats that come home over Christmas.

At 9am I emerge for the day. The children are dressed and fed and are engrossed in a game of oware or ampe or football, each sucking a small mango.
ob
When I walk out the compound gates and hit the streets I am an obruni. A visitor. I may head to the craft market or go to a coffee shop with friends, but by evening I will be back here, in the compound that has absorbed me into it’s fold. That has so many stories to tell and so many lessons to teach me. I’ll be home. In my Ghana.

This article was published in "Obruni Where Are You Going?" a Mirror Productions publication, by Light For Children Ghana

He Ain't Heavy, He's My Brother - the health care saga continues

The health care saga continues in Accra… So after his horrible ordeal in the North, our engineer flew down to Accra yesterday morning with multiple breaks in his arm, and was admitted to the 37 Military Hospital, which is close to the airport and was recently renovated with German government donations and expertise.

Our engineer is a professional with money and a company supporting/backing him. (Which is very important in seeking service at a hospital in Ghana). Yet it is not enough. He does not ‘know anyone’ who works at, or has clout with the hospital.

What does this mean? Even though he has money to pay for any treatment he would need – like immediate x-rays and a long overdue plaster cast, they have refused to serve him as of this morning, and he sits on the bed, with his mangled arm hoisted above his head in a ridiculous sling. No medicine, no cast. Meanwhile the bones are healing over, without having been reset and the long term implications will be evident. Imagine he had needed surgery, or that his injuries were more life threatening?

We are making arrangements to take him now to the main and largest government hospital. But I don’t hold out much hope for that. I’ve seen many people die there with my own eyes, all completely preventable. One vivid example comes to mind.

Years ago in the late 90's, during my wild and free days as a volunteer in Accra, when I was the ‘obruni with the blue motto (Vespa)’, a friend and I were mugged one evening and dragged along the road by thugs in a car who wanted my friend’s bag. Only the bag was slung across her body and it was difficult for them to pull it off, while driving alongside us in a car, the passenger’s torso hanging out of the car…

It must have been quite a scene actually – me concentrating quite hard on the handlebar/steering wheel as the car bumped and nudged my little motto from the side, with a huge open gutter on my other side, my friend holding onto my waist for dear life as her bag was being torn from her, until finally they yanked hard enough to pull her to one side, my balance thrown, we skidded into the gutter, the Vespa cracking as it slid out from under us, and the two of us grinding along the gravel as the car tore off ahead.

Once we’d semi-recovered from the shock and picked ourselves up, we hobbled towards a nearby restaurant to assess our wounds and make some calls to get us to the hospital. My hubby came immediately and we headed to the infamous Government hospital. Emergency ward. We were pretty bloody but luckily it was all surface wounds that just needed cleaning out.

On arrival at the place, (I was still a bit new and naïve in Ghana) and I have to admit I was just stunned. It was dark, a few fluorescent tube lights flickering here and there, the rest dead. Dirt and dried blood everywhere – on chairs, benches… thick grime on the windows and corners and dirty, grimy walls. You couldn’t tell what colour they once had been painted. It was night and there were only a few people around, but from the moment we walked in we heard screaming. Loud, high pitched screaming. After a nurse gave us some forms to fill we came around a corner into the hallway.

On a metal guerney there lay a woman in complete and utter agony. Blood was soaked through her wrap cloth and pouring literally down the metal legs of the guerney and had started pooling on the floor. She was the screamer. Being the 'nosey obrunis' that we were, we could not bear to watch her without knowing why no one was helping her, and what had happened etc., so we rounded the corner to ask the nurse. Conversation went about like this:

Us: Please, the woman in the hall, what happened? Why is she screaming? Can you please come and see if anything can be done for her?

Nurse: (Looking up very slowly with a look of extreme annoyance) Don’t mind her! She is shouting too much but doesn’t want to give out the coins in her cloth. We told her! Here, you buy the medicines. You don’t pay, we won’t mind you.

Us: But what is wrong with her? She is bleeding!

Nurse: She is an orange seller. They shot her driving by. In the leg. But she is stubborn! Since they brought her here, only screaming. We tried to collect money from her for the drip, but she only holds tightly her cloth, greedy with the coins. We ask her if she has family. Nothing. We are not paid to fight the people, oh! So we are not minding her. The family will come soon. Now come, here is your list for the pharmacy.

With that she sent us down another hallway to buy gauze and sterilizing solution etc.
After a very rough treatment of scraping all wounds and scrubbing the both of us through a few silent tears of our own, we were sent off.

By the time we came out to the main hallway the screaming had stopped. The lady on the guerney lay silent and lifeless, crumpled bright designed Ghanaian cloth around her, soaked dark with blood, her one leg limply hanging from the side… I just knew she was dead.

I came around the corner to look where the nurses could be, and there they were. Two of them, sitting at an old brown desk, eating something. They gave me the ‘what-do-you-want-now look’.

Me: The lady in the hallway? Who was screaming?

Nurse: The boys are not in yet. They will bring her to the morgue.

With that they turned away, back to their chat and their snack. And we hobbled out, bandaged, clean and devastated.

The road is long
With many a winding turn
That leads us to who knows where
Who knows when
But I'm strong
Strong enough to carry him
He ain't heavy, he's my brother.

So on we go
His welfare is of my concern
No burden is he to bear
We'll get there
For I know
He would not encumber me

If I'm laden at all
I'm laden with sadness
That everyone's heart
Isn't filled with the gladness
Of love for one another.

It's a long, long road
From which there is no return
While we're on the way to there
Why not share
And the load
Doesn't weigh me down at all
He ain't heavy, he's my brother.

He's my brother
He ain't heavy, he's my brother.

Cosmopolitan Ghana - the Accra of today

The Accra I met more than a decade ago, on my arrival in Ghana was a crowded, hot humid yet dusty hive of activity. For the naïve volunteer set, of which I was a gold star member, it was an overwhelming sense of the absoluteness of cultural difference. There was nothing remotely familiar and we basked in the alien experience.

All of us were from the west, where a market is a tame organized centre for buying a variety of goods. In Accra the experience was quite different.

We were a procession, a snake like pinkish spectacle, chained together by sweaty fists and with a look of fear and excitement in our eyes. All conscious of where our money was hidden – strapped to our moist middles, under our cotton t-shirts and missionary style long shapeless flower skirts (prescribed by the NGO offices back home). We were paraded through a real market – African style.

People as deep as quicksand, we sunk deeper and deeper, away from the paved road into the colours, smells and sounds of the market. Smoked fish piled high on balancing trays, hundreds of tomato sellers in narrow rows, wide smiling African mamas, low down, faces behind their identical wares, each hoping their charm would win buyers and they would rise above the anonymity of their trade, to make enough to feed their family for the day.

We pushed on by, and through, sweating and squinting and averting the hoards of brown smudged fingers that reached out at our inadequately protected, sun beaten, damp white skin… shouts randomly from all directions, above the black heads and fleeting rainbows of colour and patterned cloth, “Obruni, obruni!!!”.

We managed to push our way through and were led single file past a grimy door into a tiny room. It was cooler and quieter than the outside, but the hum of the market surged palpably behind the grease coated glass. It was a Chinese take away. Our guide had apparently heard that Westerners like Chinese food and this was to be our treat, our solace for the day. The room had a few plastic patio tables with rubberized flower patterned table cloths. Each table boasted graying dust caked plastic flowers in tiny decorated pots. Roaches and ants scurried about. Random people leaned or slept at the tables. Just beyond the ‘dining room’ was a visible kitchen – the walls coated black with fuzzies caught in the dull greasy layer – far above the wall appeared to have been painted blue in some distant time. The metal surfaces were covered in random wilted vegetables and dirty piled plates.

We all stood huddled. There was an unspoken agreement that none of us were eating anything from this place. We compromised and ordered cokes. The reluctant waitress was woken up, wiped the saliva from the edge of her sleepy mouth, and as if in slow motion, she moved across the room to gather the bottles from the loudly buzzing overworked Coca Cola fridge. We rubbed the rust from the tops, and gulped the luke warm syrupy liquid, just wishing we could be transported magically back to the main road, to become invisible, to be out of here. Instead the return journey was more of the same and the group whined, complaining of sun stroke, heat stroke and bad tummies. Food choices that evening would be from very local, very peppery, very sketchy roadside ‘chop bars’. The restaurants in town were few. Either massively expensive and out of our reach, or more like the Chinese take away…

This was a typical first induction into being a volunteer in Ghana. Those of us who stayed – not many – have learned so many lessons since then. The market still thrives, writhes, dances daily. But now we know how to navigate. We’ve discovered there are actually things to buy and we can now bargain with the sellers, amusing them with local terms. We can be cut throat in our bargaining techniques. We are no longer amateurs.

But those who arrive today, in 2008, meet an entirely new Accra. The cosmopolitan city is arising, despite the persisting poverty and the traditions and the resistance. There is a new Accra for the trendy set, the academia and the professionals alike.

Today I found myself alone at lunchtime and popped in to ‘Cuppa Cappuccino’, a funky café near my office serving great salads, wraps, sandwiches, smoothies and of course – cappuccinos! In the big bowl mugs…

On any given day, the clientele pile in and out – alone to write or surf the net using the wifi, or in groups, chattering and nibbling and sipping. All dressed in 2008’s trends, talking about the relevant political and social issues affecting the world in general, and Africa specifically. Most are foreigners but definitely not all. In fact the groups are quite mixed.

Today I was alone so I observed. The scene was something absolutely unheard of 10 years ago.

The waitress smiles and is efficient and remembers my order. She sees I’m alone and brings me a few magazines to browse through while I await my greek salad and Diet Coke. I open a thick shiny mag with a gorgeous profile of an African model on the front. The make-up and lighting make this photo true art. I open the pages haphazardly at first, flipping along through glossy photos and adverts and admiring the artistic edge. Then I recognize some of the advertisements and the local jewelry in the modeling shoots. It’s a local magazine! On the cutting edge artistically and stylistically. Another absolute impossibility 10 years ago. Back then all printing had to be sent out of the country, or the images would be overlapped and discoloured, words cut off mid sentence…

This was something else. I wanted it as a coffee table centerpiece. It was called Canoe Quarterly. However, it is so ‘cool’ that I could not find out how to order it. But there was a web address: Canoe Quarterly. I visited the modern simplistic site and found some of the photo shoots from the magazine. The one below is from their site and speaks for itself…



So, I left the café, bumped into a few acquaintances at the other tables - some expat teachers from the International school, a couple of South African geologists… Then I heard many voices on the patio and noticed on my way out, a table of 12 new volunteers on their orientation. I knew this because they exuded newness, inexperience, and openness. Their Ghanaian guide was briefing them on some aspect of Ghanaian culture, while they sipped Mango Manias, café lattes and picked tiny triangles of brie and avocado sandwiches from their plates.

Things sure have changed since my day…

Hair woes - culture shock at the saloon

I have definitely written enough Ghana criticism for at least a few days. Even I am wincing under the negativity. Even if all I wrote is true… Time to think about the lighter side of life.

I received a mail today from a guy who happened upon my blog – always nice when that happens… Anyway, after the usual ‘niceties’ between bloggers, “Great blog! Keep it up!” etc., he directed me to his blog, which is actually a link to his book called The Year of No Money in Tokyo. My curiousity was peaked so I went to ‘visit’ the site. It’s got a lot of great photos he’s taken in Japan that appeal to the ‘kitsch’ in every westerner. I love the ‘lost in translation’ signs in Asia…

I also jumped around on the site and found a great post he had written, which was featured in the Washington Post, about his experience getting his first haircut in Tokyo. He is a black American guy and had avoided the barber shops for fear of the blank looks he’d get when he walked in. The complete lack of experience they would have with his type of hair, and the social awkwardness that would ensue. And it did…
I can totally relate. My hair has been subjected to a myriad of cultural ‘mishaps’ in Ghana. In fact, in hair terms, it could be called abuse.

First memory I have is back in my volunteer days – the days where I would try anything... I had happened upon a free hair treatment offer at a trade fair near my office. A local company that sells African hair products had set up a makeshift salon and was offering a variety of treatments. I decided I would be spontaneous and dye my hair.
I have had it dyed every colour in the book over the years, from nasty brass blond courtesy the 80’s fad spray, Sun-in, to black and accidentally green in my teen years (trying to mix permanent black dye with a temporary rinse that hadn’t been drastic enough), to pink (during my downtown Toronto punkish-steel-toe-boots-with-miniskirts phase), to every colour of highlights, from chunky blond to 6 colour tiger stripes…. SO, what harm could a box of free hair dye, applied by professionals do?

Bad question, worse answer. The first thing is that I got that blank stare when I entered the little flimsy walled salon (however to be precise, it was a saloon- all hair salons in Ghana are called saloons… bring to mind some bar in the wild west with swinging doors! But I digress) –the blank stares from the hair technicians and the chattering ladies in the seats. I know what went through all of their minds, “An obruni?! (the local Twi term for white person or foreigner). Obruni hair is different. It’s like straw! What would she want us to do to it?!”. In retrospect I should have followed their instincts… and turned right back around. But I am stubborn and was determined.

I piped up and shoved my way to the front of the loosely formed queue. I chose my box of dye from the shelf – it showed a confident African American lady, with a relaxed smile and very short, tightly curled golden blond hair.
The hair colour made a nice contrast with her toasty brown complexion. And then there is me. Dark brown hair. Long, straight. Somewhat pale skin (some say olive complexion, but my high school science teacher was convinced I had yellow jaundice due to the yellow undertones in my skin). Basically blond hair would not compliment my complexion. The chances were it would make me look sullen and ill, but as I mentioned, I am stubborn and was now fully determined.

The lady sat me down and a small crowd formed to watch her section my long, bone straight brown locks and lather with the strong smelling dye. Though she pulled my hair in the most awkward way and tangled it beyond recognition, she managed to sauce it all up and then tied a plastic bag around my head. In the busy salon I was promptly forgotten. I sat observing the activity around me. Sweat trickled down my scalp and the itching was intense, but I feared touching my head, thinking it might squish the toxic dye out around the corners of the plastic and scorch my neck or ears or even blind myself. So I sat patiently and waited. And waited.
And time escaped me, and eventually many of the women who had been in the salon when I arrived had left and a new set of chattering bodies filled the space around me. I was gripped with panic. I knew they had forgotten me and that the dye had been left in too long.

I frantically pointed to my head and said “excuse me” to the general area where the technicians buzzed about. One of them looked at me. I saw surprise and fear pass briefly across her face. She had realized exactly what I had realized. The obruni!! We forgot about the obruni!

They all whisked me over to the sinks and spoke in hushed Twi, one of the local languages that I am semi proficient in…I heard enough to know they were worried.
They washed and rinsed and gasped. They literally gasped!

I forced my torso upward like a rocket, pushing against their hands that fought against me. I caught a glimpse of myself and also gasped.
My wet hair was white. Bright, milk white with a yellowish tobacco stained hue to it. It glowed.

No one knew what to do. But in true Ghanaian spirit, the same enthusiasm that can convince you a shoe fits you when your heel is hanging an inch off the back, they tried to console me.

“Madame, it looks nice! It will be ok.”

I was incredulous and sick to my stomach. “NO! You have to fix it! I have to give a presentation tomorrow!” (and that was true).

They explained that there was nothing they could do for at least two weeks as my hair was now very weak and might all fall out if they tried to dye over it.
I was weak in the knees and just stood up and walked out the door, back toward my office. EVERYONE stared at me.

On the way, through my tears, one man approached me. “Are you albino or a white?” he asked, genuinely curious and definitely not shy. I just kept walking.

When I got to the office the gasping continued. My boss took me aside. “What happened? What have they done to you?!”. I broke into tears. (Tears do not go over well in Ghana unless someone has died.). Everyone was awkward. My boss started shouting about these stupid, uneducated, inexperienced girls…and she demanded we walk straight back there and force them to fix it.

My other colleagues came up and touched my hair. Many laughed, most shook their heads and commiserated with me. I just wanted to disappear. I wanted my mommy, I wanted to start the day over and not have decided to be bold and spontaneous…

My boss was a very powerful Ghanaian woman. Standing 6 feet tall with an unforgiving stare and steel eyes, you never wanted to be on her bad side. She dragged me back up to the salon and through the crowds, who parted and whispered, and she presented me like something the cat dragged in. She laid into them all, pointing at the disaster they had created. Their comeback was priceless:

“But madam! The obruni! Her hair is different! She insisted we use the product on her hair but it is not meant for her! The hair is weak and soft! It’s not our fault!” and the others all nodded in sympathy. And the all looked at me as if I could explain. How dare I try and circumvent nature? Be something I wasn’t…
I wanted to disappear.

Eventually one of the women begrudgingly agreed to dye it over with a midbrown, but her disclaimer was shouted to all the witnesses in the room. “If her hair falls out, it’s not my fault.”

The next fifteen minutes of dye time was carefully measured, but took a few slow hours, while my stress levels reached a crescendo – convinced I would be bald…
My hair did not fall out, though it remained a strange, tye dyed reddish colour for weeks and I feared even brushing it as it felt like powder that could blow away at the slightest tug…

Sadly this is not the end of my hair nightmares in Ghana. It takes a lot to tame a stubborn girl and many more cultural faux pas before I gave up on the cross cultural hair adventures…

To be continued….

Giving Back - Volunteers flood into Ghana

That time of year is upon us again in Ghana – the time where every international flight that arrives, pours out scores of the bright and bushytailed, the hopeful and positive, the naïve and trusting…

they are…

THE VOLUNTEERS.

Most of them come for the summer, some come to build a school and leave, some come for 6 months or even 2 year contracts. I hear that some of them pay thousands of hard earned or raised money to come and volunteer.

Either way, they come, like pale ants, they line the streets of Osu (Accra's main strip - affectionately called Oxford Street), dressed in the vibrant local designs that clash and look garish against pale skin. They don boubous (flowing shapeless long originally muslim gowns- very comfortable and cool and not unsimilar to a big nightgown) and Birks, or local ‘Charlie wotee’ (pronounced CHAH-LEH-WO-THE) – the common cheap imported Korean flip flops on every foot in Ghana. They get ‘corn row’ braids, exposing the pink fleshy skulls, and weaving in various colours of plastic ‘hair’. They think it makes them look ‘local’. In reality it makes them look like new prey, fresh meat for the hustlers and the 419ers. It pegs them as idealist, naïve, giving, gullible.

They sit in cafes gibbering away happily in packs. 90% are female between the ages of 18 and 25. They come from upper middle class families from across North America and Europe. They scratch at the pocked calves which peek out between the boubous and the ‘Jesus sandals’, dotted with tender pink or brown scabbing remnants of mosquito bites.

And then they disappear out into the ‘bush’ to work with ‘the people’. They cram into the trotros (over crowded privately run vans/minibuses in lieu of a formal public transport system in the country), happily taking babies and parcels on their laps, smiling too widely at everyone. Trying not to look conspicuous but realizing slowly over time that an Obruni (the local term for white person) can never, ever ride a trotro without looking conspicuous. Maybe some of them never realize this.

Most are wearing very bright pink rosy glasses with which to view the new world around them.



Inevitably they will spend some days close to a toilet, worshipping from both ends, having been ‘cool’ enough to try the street food, with LOTS of pepper. Some will brave the ‘mystery meat’ in the stews…

They will be robbed, if not directly, then by coworkers who see a chance and inflate prices. By the taxi drivers and the market sellers seeing opportunity stare them in the face… By landlords and ‘friends’ and the system in general.
It’s a cycle. It's a system. They fit the role within it.

Now before I get accused of being horribly harsh and unnecessarily negative, I must qualify my observations. I know these girls. I am these girls. I lived it, breathed it, sat in the 40 degree trotro, stuffed like a sardine with 40 others (in a 12 person capacity van built in 1970) hundreds of times. I held babies and smiled a lot and pretended the density of human flesh, with it’s pungent overpowering smell was fine. Pretended that my knees against me, pinned in on both sides by the volumous arms of the market women, with the radio blaring at it’s loudest through fried speakers, bouncing without shock absorbers through the potholed roads of Accra was fine. In a way it was. What doesn’t kill you…

12 years on, I have the clarity of hindsight. I see the well of experience that lay ahead of me back then and I watch them all fall straight down it now, year after year, time after time.

More and more volunteers come each year. What with Angelina Jolie, Chris Martin and Bono engaging the Hollywood and corporate crowd in the plight of Africa and the value of ‘giving back’, it has become glamourous, trendy.

There are new organizations popping up both locally and internationally, cashing in on the guilt trip dolled out to the impressionable in the west. Help Africa! Give back. Donate your money and your time. VSO, Peace Corps, Operation Crossroads, African Impact, Volunteer for Africa, Volunteer Avroad, i-to-i, Right to Play, Save the Children, Fight for the Children, Go Africa, Oxfam, Ripple Africa, Wish for Africa, Teamworks Abroad, Unite For Sight, Stand Against Poverty, Global Volunteers, Cosmic Volunteers, GapYearGhana, Cross Cultural Solutions, the list goes on and on and on...

No one has looked much at the statistics regarding the success of all of the donations and exchange programs and volunteer time… but that’s another story. What counts is the rich experience everyone has.

I found a travel blog website and zoned in on Ghana and the stories of this year’s volunteer troups. The diaries and accounts read just like a book. A book I’ve read so many times. The positive attitude reigns – despite being pick pocketed in a trotro, being food poisoned at the dump of a hotel, having local groups only participate in the great programs if they are paid to join in. Fist fights breaking out when some villagers hear others were paid more... Meanwhile these programs are designed for their benefit. Sigh…

I ache to ask the new recruits – and mostly because I don’t know what I would have answered back in my volunteer days – “What is it you feel you need to give back? Why is it that you will put up with fraud, discomforts, delays, disorganization, filth, and so many other obstacles that you would never put up with back home?”. “What is it exactly that you took that you feel the need to give back?”.

Every one of them who actually does a job here will be frustrated and will feel despair at some point. Every one will marvel at the chaos and the poverty and the resignation they see around them.

But they will go back remembering the bright eyes of the children, the friendly banter with the market sellers, the journeys where they saw goats tied to the tops of trotros and Jesus stickers on the back windows. It will be the memories of the ‘kitch’ and the kindness not the overbearing corruption and chaos they will take away.

This in turn breeds more of their kind.

But then they meet me – the one who stayed too long. The one who hears the annoying patronizing nasal tone the children use when they chant “Obruni, obruni, give me a pen. Give me money, be my friend” and run off laughing. Instead of their innocence I see the way they are being programmed from a tender age to take advantage, to hold their hands out, perpetually begging, to accept the mess around them and not strive for better.

My perspective is dangerous. I’ve lost my pink glasses. Perhaps I should stay indoors this time each year.